The stylistic research developed in Sintesi might be represented by a fine phrase of Pinin Farina:
‘The line, the form must become substance,living material’.
The interior is not conceived as a separate element but is fully integrated with the overall design of the car.
The instrument panel is designed as one integrated semitransparant piece, deriving its richness from a sofi sticated play of light that serves as a visual and intuitive feedback for the different functions.

CINDI